- Fashion Fabric. I had a very specific idea of what wool I wanted to make my coat in... and ended up going in a totally different direction! That's because I found this amazing Marc Jacobs boucle in Mood and it took my heart. However, there are also really great designer fabrics available through my favourite on-line retailer Emma One Sock - in fact, she even has my Marc Jacobs in right now! In my extremely limited experience I think it's worth shelling out on good fabric - I think it's a big driver for why my coat looks reasonably ready-to-wear.
- Interfacing. My research showed me that this is CRITICAL. I didn't make a fully tailored coat, but took the "fusibles" approach instead. I used ProWeft Supreme Medium-Weight interfacing to interface ALL my pieces. Then in the collar, I used Sew-in Hair Cloth; the hems were finished with a band of the Fusible Hair Cloth. I got everything from Fashion Sewing Supply online.
- Insulation. After some research I bought Thinsulate and Kasha fleece-backed lining from B&J in NYC. It's great - the coat is warm even in the freezing New England weather. Couple of key tips here:
- DO NOT IRON THINSULATE OR GO ANYWHERE NEAR IT WITH AN IRON. My Thinsulate has lots and lots of melty areas... oops! Don't even iron adjacent to it. Just don't.
- It should be sewn to the *lining* of your coat (basically underlining the lining). I researched different approaches and ended up cutting the seam allowance off the Thinsulate and stitching it to my lining using a zig zag stitch - but I don't recommend doing this. It was too difficult to do it precisely accurately, and as a result you can see my stitching on my finished lining. Next time, I'll underline the whole thing and just cut the Thinsulate out of the seam allowance
- Buttons. I bought my lovely horn beauties from LouLou Button in NYC. I went bold, in line with the oversized collar, and I think they look excellent! So my advice is: dare yourself :)
- Fusing. I went the block fusing route and now I've done it, I'm never looking back! This involves interfacing all your uncut material in one go - and only then cutting the pieces out. It makes for much more accurately cut and stable pieces, and minimises getting fusible goo on your iron (if you don't use a press cloth... naughty!)
- Seam finishing. After I cut my pieces I serged all the edges before I sewed them together. Even though there's a lining, I'm hoping that this will help the coat last longer.
I decided to "treat" myself to some new bits and bobs for my sewing room, but I don't think you *need* any of them to make a good coat.
- Singer Press. This proved invaluable when I decided to do block fusing. It's a bit bulky to store, but if you're going to be pressing and/or fusing large bits of cloth I highly recommend it.
- Silver Star Gravity Feed Iron. I read about this on Lauren's Lladybird blog and eagerly bought it. I have had a mixed experience... On the other hand: super hot and continual steam: YEAH! On the other hand: you have to somehow hang the water bottle 5 feet above the ironing board... ( mine only managed 3.5 due to a low ceiling), and, after about 5 hours of use, it suddenly spilled brown water all over my coat. NOT GOOD. They've sent me another one, but I'm a bit wary of it. So advice is: gravity irons good; this one, so-so.
- Sleeve board. Why didn't I have one before?! Madness, I tell you.
- Bound Buttonholes. I realised there was no way my machine was going to manage to make buttonholes through all those layers, so I decided to tackle bound buttonholes instead. I highly recommend buying Karen's Bound Buttonhole e-book - it's only $3, and it's incredibly good. The only thing I'd add, is that I used Threads Magazine's approach to making the welts which I found a little easier.
- Back Stay. I used Gertie's tutorial- very straightforward.
- Shoulder guards. I used the fusibles approach from my Singer Tailoring book (see more below) - again, very easy.
- Easing in sleeves. Based on various recommendations I decided to take the approach of using bias cut fleece fabric to ease in the sleeves, using this Lolita Patterns tutorial. The first sleeve: perfect! The second: eh. A lot of unstitching ensued. I then discovered Gertie's video tutorial and realized that the "start in the middle and work out" approach works best, together with pulling the bias strip hard and pushing the fabric under the needle simultaneously. Worked very well. Incidentally, I *also* added sleeve heading, and I think that the doubling-up (of the bias material and the sleeve heads) worked well.
- Bagging a lining. This one had me scratching my head for a long time! My advice: just do it, and it will make sense. I used Grainline's tutorial. However, if you're making a bulky coat leave a BIG hole in your lining to turn it inside out - mine was so tight I ended up standing on one of my coat and yanking it through...
- Creating a neat finish on the bottom corners of the bagged lining. I used Fashion Incubator's professional method, although I found Behind the Seams' photo tutorial a little easier to follow. Note: when you sew the first line on the facing it needs to be slightly *below* the hemline (like 1/8 inch) to allow for the turn of cloth when you fold the hem up into it. You'll realise what I mean when you do it...
- Doing bound buttonholes *and* bagging a lining. For the life of me I couldn't find a tutorial for this! So here's what I did:
- Made the bound buttonholes front side (on front of fabric). Sewed up lining and facing pieces. Started bagging the lining by sewing *just* the buttonhole facing side to the coat. Then, I completed the back of the bound buttonholes - you need to do it like this because you need access to the back of the facing, and once the lining's in, no can do. I sewed up the buttonhole facings to the front buttonholes *except* for the top buttonhole, because otherwise you can't complete the bagging process. Then I finished the final button when the lining was in. Phew!
- Tailoring: Singer Sewing Reference Library. This is a FAB book. Seriously, buy it. It's super cheap on Amazon second hand. It's entirely illustrated with photos and even though there's some serious 80s fashion it made everything seem easy.
- Kenneth D. King's The Carefree Fly Front Coat class. Sad to say, I didn't love this. Perhaps it's just because my pattern was different to his, but the techniques weren't that great - apart from the advice on favouring (i.e. making the facing piece slightly smaller than the main piece so the seam pulls around onto the inside), which I used throughout my coat making.
- Go really slowly... and stop when you're tired. I deliberately made myself pause on this project over, and over, and over again. There's nothing worse than sewing when you're tired and accidentally cutting through your material! I also find that if I mess something up - for instance, when I really badly set in one of my sleeves - it's 100% easier to unpick and redo it if you do it the next day rather than the same evening when you're frustrated.
- Do not trim seam allowances until you're 100% happy with the seam. Why do I still do this?! And yet I do. Don't. Otherwise you'll have to re-set your sleeve with a 1/8 SA... ouch.
- Press, press, press - and follow the right pressing etiquette! Another effort towards patience, but I tried to be a Very Good Girl and press correctly. So: only press up and down! Always use a press cloth! Leave things to cool COMPLETELY before moving on to the next seam! (Top tip: this is very boring, so find another task to do while it cools off - I managed to reorganize my sewing room).
- Always test your stitching first on a scrap. This was a particular problem of mine with topstitching - sometimes it just didn't work. I switched to a topstitching needle for all my construction which worked well, but I saved myself a few headaches by going slowly
- Accept it can't be perfect! I got so, so, so far with perfection... and then no. Because I forgot about seam allowance when using my button hole guide. And then my walking foot snagged my fabric several times when I didn't test my stitching first. And then I forgot to put the hanging loop in. But I have now made zen peace with the fact my first coat isn't perfect, and that's OK. Let's face it, non-sewists will NEVER notice these flaws, and it just means you can get even better next time!
How about you, dear Cashmerette readers - do you have any more tips for me before I attempt my next coating project? What are your super secret methods? Did I get anything wrong? Do tell!